Why do men like women's feet the most?

Every man has a special goddess in his heart. In fact, no man can truly resist the temptation of a woman from the bottom of his heart. So, why are men interested in women's feet? Below, we will reveal the changes in men after getting women from the perspective of men's psychology. Let's take a look! >>> Reveal the secrets of beautiful women's life circle

In fairy tales, small feet have always been a symbol of female beauty.

We can regard the exquisite crystal slipper in the Grimm fairy tale "Cinderella" as a yardstick used by classical Western men to measure female beauty: within a certain scale, she is beautiful enough to be a princess, but outside a certain scale, she has no chance of becoming a princess. The crystal shoes in "Cinderella" have a similar meaning to China's three-inch golden lotus. When it comes to the aesthetic taste of feet, Eastern men and Western men can be said to have similar tastes and reach the same destination through different paths.

There is a French fairy tale called "The Donkey Skin" which is quite interesting compared to "Cinderella". It tells the story of a princess who was forced to leave home and wander in the wilderness wearing a donkey skin because of her father's incestuous love. One day she was not wearing the donkey skin.

She met a prince, who fell in love with her and picked up the ring on her hand. Just like the plot in Cinderella, in order to find his sweetheart, the prince promised that whoever wears the ring will be his.

bride. I don't know why this story is not as popular as Cinderella. Is it because the story involves the taboo of incest, or is it because people's appreciation of women's slender fingers is not as good as their appreciation of feet? For thousands of years,

People care deeply about the size of women's feet, more than any other part of the female body.

Japan's geisha culture expresses the vegetative nature of women most thoroughly. The most famous geishas at the time often had stage names like: Pine, Bamboo, and Plum. From the perspective of male vegetative women, the vegetative woman's body except for her feet

Other parts of the plant can be regarded as the leaves, stems and flowers of the plant. But the feet are soft organs that allow walking. Helen's elopement made men more cautious when examining this soft organ. They knew very well that a beautiful plant that could walk was both magical and fraught with potential dangers.

The most vicious word Chinese people use to insult a woman is "slut".

The shoes are torn, which obviously shows that the existence of these shoes does not restrict the feet at all. This word clearly reveals the nature of shoes as a torture device for women's chastity. A Western proverb says:

Marriage is like a pair of shoes. Only you know whether it fits you or not. The person who said this must be a man who is well aware of the power of shoes. If we carefully analyze these two proverbs from the East and the West, we will find that in the classical cultures of the East and the West, women's shoes are a metaphor for sex. The pair of beautiful crystal shoes in the classic fairy tale "Cinderella" is nothing more than a dual carrier of royal culture and patriarchal culture: the dazzling and expensive crystal shoes can only come from a royal family with abundant material wealth. The obsession with the amputated fetish of the female body - small, crystal-clear feet - can only come from patriarchal ideology.

Therefore, the three-inch golden lotus and crystal shoes (the ancestors of high heels in fairy tales) in both the East and the West, in the name of beauty, exert the power of patriarchal ideology to monopolize the female body, define female aesthetics, and "rootize" women's feet: the characteristics of plant roots are that they are small, downward, long and deeply embedded in the earth. The Eastern patriarchal ideology is rather stupid. The three-inch golden lotus is a way of miniaturizing women's feet purely through physical torture.

Transforms into a potato-like tuber. Western patriarchal ideology relies on science, and they use external objects to express rhetoric about women's bodies.

High heels are a rhetorical device that makes a woman's body taller and thinner, making her walk slower and lighter, thus tampering with the proportions of the human body.

However, the most thorough way in which men "rooted" women's feet was through the extremely beautiful ballet shoes that appeared in the 19th century. We can understand this just by watching some ballet pointe dancing clips.

Those delicate and graceful women, wearing light gauze, stood on tiptoe, completely transforming their legs and feet into two root-like thin lines, jumping and running happily on the stage, expressing the lightness and liveliness like fairies. The thin toes were like the roots of a plant. After leaving the ground for a moment, they fell down, as if to be deeply embedded in the earth.

The style of American singer Madonna has set a precedent for the most thorough "self-vegetation" of women.

These means of self-vegetation include: ambiguous and blurred faces (flower buds), completely naked bodies (flower stems), bondage-like mesh stockings (flower branches), and shoes as high as knives (flower roots).

This woman, who completely transformed herself into a bud and turned every inch of her skin into a sexual organ, subverted the patriarchal ideology by utilizing it rather than submitting to it, thus becoming the king of herself and men.

This is an interesting paradox: women actively cater to patriarchal ideology, but patriarchal ideology falls apart due to this excessive catering. The puppeteer becomes the puppeteer.

I have seen several novel fashion pictures in which British singer Victoria "Spice Girl" wore a pair of heelless high heels to attend an important social occasion.

This shoe looks like a complete variation of a ballet slipper. Its entire center of gravity is shifted to the toes, and the body of the person wearing it is lifted up by an invisible hand like a puppet, making them walk like the skilled ballet star on the music box, always tiptoeing, with a light body, walking in the wind, in a state of frozen beauty.

From a pair of heelless high heels worn by Beckham’s wife, I saw the future direction of shoes.

Heelless high heels will be the ultimate in the myth of women's shoes. Madonna's success is a role model for all modern women. Modern women are

To dance on the aesthetic stage of patriarchal ideology with light and vegetative toes. This dance step not only pleases the male-dominated mainstream aesthetic, but also destroys the fortress of patriarchal ideology. Ballet-style heels without heels.

It quietly sings the song of the transformation of women's feet from roots to sharp blades, and further sings the elegy of the decline of patriarchal culture.